Ever found yourself humming a tune you can't quite place, a catchy melody stuck in your head? It's highly possible you've encountered the sonic artistry of D Savage, a name synonymous with raw talent and unfiltered expression within the contemporary hip-hop scene. The intrigue surrounding his unreleased tracks, the evolution of his sound, and the man behind the music all contribute to a captivating narrative that continues to unfold.

One such enigmatic piece is the track "When I Get High." The song has been the subject of much speculation and anticipation among fans. While details surrounding its official release remain shrouded in mystery, the history of "When I Get High" is as intriguing as the music itself. Believed to have been recorded around 2016, the song unexpectedly surfaced on March 25, 2018, when it was leaked online. This sudden appearance only fueled the already burning curiosity of D Savage's dedicated fanbase, leaving them clamoring for more information about the song's origins and intended release. The leak, though unofficial, offered a glimpse into the creative process and the sonic landscape D Savage was exploring during that period.

Category	Information
Full Name	Dylan McCord
Stage Name	D Savage
Date of Birth	July 18, 1998
Birthplace	Queens, New York
Residence	Los Angeles, California
Occupation	Recording Artist
Genres	Hip-Hop, Trap, Cloud Rap
Years Active	2016present
Notable Songs	"Opera," "30 Round," "Pills"
Albums	BPL
Associated Acts	D Phoenix
Website	D Savage on SoundCloud

The question of authorship for "When I Get High" naturally arises. While D Savage is undoubtedly the performer and creative force behind the track, the specific contributions of other writers or producers, if any, remain largely unconfirmed. The mystery surrounding its creation only adds to the song's allure, prompting fans to speculate about the collaborative process, the inspirations behind the lyrics, and the overall artistic vision that shaped the track. Without official credits or statements, the true story of "When I Get High's" creation continues to be a subject of debate and fascination.

In the digital age, music consumption has evolved significantly. Platforms like Spotify and various music services offer listeners a plethora of options, providing access to official albums, singles, music videos, remixes, and even live performances. This accessibility allows artists like D Savage to reach a wider audience, connecting with fans across the globe. While "When I Get High" might not be officially available on all platforms, the existence of leaks and unofficial uploads demonstrates the demand for his music and the eagerness of fans to engage with his artistic output in any form possible.

D Savage's impact on the music scene is undeniable. He consistently delivers a unique blend of sound and style that resonates with listeners. His fans express their enthusiasm and appreciation, as evidenced by online comments and social media engagement. The anticipation surrounding his releases, the discussion surrounding his unreleased tracks, and the overall buzz surrounding his name all point to an artist who is making a significant contribution to the contemporary music landscape. He does not disappoint, consistently pushing boundaries and challenging expectations within his genre.

References to various numeric designations, such as "D phoenix 3900," "D savage 2900," "D savage 2700," and "D savage 3900," often appear in online discussions about the artist. While the exact significance of these numbers is not always clear, they likely relate to specific projects, releases, or periods in D Savage's career. They could also be internal codes or identifiers used by the artist and his team. Regardless of their specific meaning, these numeric designations contribute to the mystique and intrigue surrounding D Savage's artistic persona, inviting fans to delve deeper into his discography and explore the nuances of his creative output.

The song "When I Get High" is listed as a song released in 2018. However, it's crucial to remember that this refers to the leak date, not necessarily the official release date. The distinction is important, as it highlights the difference between an artist's intended release strategy and the realities of the digital age, where music can surface online through unofficial channels. This situation underscores the challenges that artists and labels face in controlling the distribution of their work and protecting their intellectual property.

Dylan McCord, the individual behind the moniker D Savage, was born on July 18, 1998. Hailing from Queens, New York, he spent his formative years in Gardena, California, before establishing himself in Los Angeles, California. This bicoastal upbringing likely influenced his musical style, blending the East Coast's lyrical complexity with the West Coast's laid-back vibe. His journey from a young aspiring artist to a recognized name in the hip-hop scene is a testament to his dedication, talent, and unwavering pursuit of his artistic vision.

D Savage's creative journey began early in his life, driven by a passion for music and a desire to express himself through artistic mediums. Drawing inspiration from a diverse range of influences, he honed his skills and developed a distinctive sound that sets him apart from his peers. His music often explores themes of personal experience, societal observation, and the complexities of modern life, resonating with listeners who appreciate authenticity and originality. He's not just creating music; he's crafting a narrative, sharing his perspective, and connecting with his audience on a deeper level.

The lyrics of "Live for the cash, gotta get it real fast (ayy) cops on my ass so i gotta do the dash (yeah, yeah) when we ride we can get away (when we ride we can get away)" offer a glimpse into the themes and sentiments often explored in D Savage's music. This snippet reflects a sense of urgency, a hustle mentality, and a desire for freedom and escape. The lyrics also hint at the challenges and pressures faced by young artists navigating the complexities of the music industry and the realities of street life. This raw and unfiltered approach to songwriting is a hallmark of D Savage's style, contributing to his appeal among fans who connect with his authenticity and willingness to address real-world issues.

The ability to "See all of 'when i get high' by d." is often contingent on finding unofficial uploads or accessing specific online communities dedicated to sharing unreleased music. This highlights the fragmented nature of music discovery in the digital age, where fans often rely on alternative sources to access tracks that are not officially available. While this can provide access to rare and sought-after material, it also raises questions about copyright infringement and the rights of artists to control the distribution of their work.

Exploring "Savage's samples, covers, remixes, interpolations and live versions" can provide a deeper understanding of his musical influences and creative process. By examining the sources he draws from, the artists he covers, and the ways in which he reimagines existing material, fans can gain insights into the evolution of his sound and the artistic choices that shape his unique style. This type of exploration can also reveal connections between D Savage and other artists, shedding light on the collaborative dynamics and shared influences within the music community.

Searching for "When i get high samples" is a common practice among music enthusiasts who are interested in identifying the original sources used in the track's production. This can reveal the influences that shaped the song's sonic landscape and provide a deeper appreciation for the artistry involved in sampling and music production. Identifying the samples used in a track can also lead to the discovery of new artists and genres, expanding one's musical horizons and fostering a greater understanding of the interconnectedness of music.

While the official music video for "opera by d." is readily available, the absence of a corresponding video for "When I Get High" further contributes to the mystery surrounding the track. The visual component often plays a crucial role in shaping the perception and reception of a song, and the lack of an official video for "When I Get High" leaves room for interpretation and imagination, allowing fans to create their own mental imagery to accompany the music.

Listening to the album "bpl" provides a comprehensive overview of D Savage's artistic range and sonic versatility. By exploring the different tracks on the album, listeners can gain a deeper understanding of his lyrical themes, production styles, and overall creative vision. The album serves as a cohesive body of work, showcasing the artist's evolution and demonstrating his ability to craft a compelling narrative through music.

The lyrics "[chorus] i'm as slime as it get, you don't wanna meet the stick i got thirty in my clip, i get turnt up than a bitch i got tattoos on my hands, i got cocaine on my wrist i get high like dirty dan" represent a raw and unapologetic expression of street life and personal experience. The lyrics are characterized by their vivid imagery, explicit language, and unflinching portrayal of the darker aspects of urban culture. This type of lyrical content is often associated with trap music and is intended to evoke a sense of danger, excitement, and rebellion.

" the rarest sounds on the fuckin planet follow each artist:" This phrase suggests a community or collective of artists who are pushing boundaries and creating innovative music that is not readily accessible through mainstream channels. By encouraging listeners to follow each artist, the phrase promotes collaboration, support, and the discovery of new and emerging talent within the underground music scene. It emphasizes the importance of seeking out unique and unconventional sounds, rather than relying solely on mainstream trends.

"Opt out preference signal recognized." This statement indicates that the website or platform is respecting the user's privacy preferences and is not tracking their activity for advertising or other purposes. This is a positive sign, as it demonstrates a commitment to user privacy and data protection. In an age where data collection is increasingly pervasive, it is important for websites and platforms to be transparent about their practices and to provide users with control over their personal information.

"We use cookies and other" This statement is a standard disclosure that websites use cookies and other tracking technologies to collect information about users' browsing activity. Cookies are small text files that are stored on a user's computer and are used to remember their preferences, track their activity, and personalize their experience. While cookies can be useful for improving website functionality and user experience, they can also raise privacy concerns, as they can be used to track users across multiple websites and collect data about their online behavior. Users should be aware of how cookies are used and should have the option to control or disable them.

"(high) i done smoked my love away (ah, ah, woah) [verse 1] you say you're not here for my money, but i know that you are (uh, uh) if you don't got nothin' to serve, then get out of my car (yeah" These lyrics explore themes of heartbreak, betrayal, and the transactional nature of relationships. The lyrics suggest a sense of disillusionment and a recognition that the other person is motivated by financial gain rather than genuine affection. This type of lyrical content is often associated with contemporary R&B and hip-hop and reflects the complexities of modern relationships in a materialistic society.

"[intro] yeah, yeah (plugg!) hey, yeah, yeah yeah, yeah (d fucking phoenix) [chorus] you forgot all about me switched up for the clout, tell these niggas get from 'round me i know i'm the shit, so" These lyrics express feelings of betrayal, resentment, and self-confidence. The lyrics suggest that the artist has been abandoned or overlooked by others in favor of those who are perceived as more popular or successful. However, the artist maintains a strong sense of self-worth and believes in their own talent and abilities. This type of lyrical content is often associated with hip-hop and reflects the competitive nature of the music industry and the challenges of maintaining authenticity in the face of fame and success.

"[chorus] if you follow me, you gon' win in that coupe, noddin' off again i just told a bitch to bring her friends in that amg gle benz bitch, i'm gon' skrrt off in the wind i'ma sin if i gotta win" These lyrics depict a lifestyle of excess, indulgence, and risk-taking. The lyrics suggest that the artist is living life to the fullest, enjoying the rewards of their success, and not afraid to break the rules or engage in questionable behavior. This type of lyrical content is often associated with trap music and is intended to convey a sense of power, confidence, and rebellion.

"[chorus] \/ in the palm of my hand (yeah, i got the world) \/ in the palm of my hand (yeah, i got your girl) \/ in the palm of my hand (yeah, diamonds and pearls) \/ in the palm of my" These lyrics express a sense of dominance, control, and material wealth. The lyrics suggest that the artist has achieved a high level of success and is able to acquire whatever they desire, including material possessions and romantic partners. This type of lyrical content is often associated with hip-hop and is intended to convey a sense of power, status, and accomplishment.

"Lyrical sound dealers (l.s.d) (1995)read the lyrics." This reference likely refers to a group or project from 1995 that is known for its lyrical complexity and sonic innovation. By encouraging listeners to "read the lyrics," the reference emphasizes the importance of paying attention to the lyrical content of the music and appreciating the artistry involved in songwriting. It suggests that the music is not just about the sound or the beat, but also about the message and the story that is being told.

"Cali life style (1996)read the lyrics." This reference likely refers to a song or project from 1996 that captures the essence of the California lifestyle. By encouraging listeners to "read the lyrics," the reference emphasizes the importance of understanding the cultural context of the music and appreciating the way it reflects the values, attitudes, and experiences of people living in California. It suggests that the music is not just about entertainment, but also about capturing a specific moment in time and a particular way of life.

"Reviews when i get high.mp3 download." This search query indicates that people are actively seeking out reviews and downloads of the song "When I Get High" in MP3 format. This highlights the demand for the track and the desire of fans to access and share it. It also underscores the importance of online reviews and ratings in shaping the perception and reception of music. Positive reviews can drive downloads and increase the popularity of a song, while negative reviews can have the opposite effect.

"High asf listening to this\ud83e\udd23." This comment expresses a strong sense of enjoyment and euphoria associated with listening to the music. The use of emojis and slang indicates that the commenter is likely a young person who is deeply engaged with the music and its cultural context. This type of comment is common on social media and online forums and reflects the emotional connection that people can have with music.

"Savage] uh, 'bout get in her mind, get in her back, get in her spine uh, uh, got me feeling like a fiend, pop some tags one more time uh, long live chris king, i miss the fam, long live" These lyrics are explicit and sexually suggestive, depicting a desire for physical intimacy and a willingness to indulge in material possessions. The lyrics also include a tribute to Chris King, suggesting that the artist is mourning the loss of a friend or family member. This juxtaposition of themes reflects the complexities of human experience and the way that pleasure and pain can often coexist.